Producer First, DJ Second

Most people book me as a DJ. That’s fair — it’s the visible part. But most of what you hear when I play out started in the studio, not the booth.

I build a lot of my own edits. Extended intros, cleaner drops, mashups that blend hip-hop with Greek rhythms most DJs wouldn’t touch. When a record doesn’t do what the room needs, I don’t skip it — I go back and rework it until it does.

That’s the difference between playing a set and building one. Anyone can queue up a playlist. Fewer people can hear a gap on the dancefloor and know exactly which edit fixes it, because they made the edit.

It’s slower work. A lot of it never leaves my hard drive. But it’s why the sets sound the way they do, and it’s the part of this I care about most. Some of it is going into the album I’m building for 2026 — more on that when it’s ready.